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News and reviews from Melbourne photographer Will Hore-Lacy.

How did it all start?
Well years ago when I was in year 9 I started with a compact film camera and grew to love taking photos, particularly of wild places, and the more I took the better I got and the more I liked it.
Fast forward a few years when after a year of engineering placement at uni when I had some $$ I thought about upgrading to a new digital camera. This brought on much research into high end compact cameras reading review after review, I wanted something that I could take landscapes and sports shots with. Eventually I gave up and got talked into buying a 300D kit, so begins my camera addiction . . .
My upgrades from there were a long time coming, but after I finished my degree I started to add to the kit. Frist what I didn't have a loved, W I D E, with the 10-22, next, sports 70-200 f2.8 for volleyball, then the 50mm macro to give me a 10-22 + 50mm macro hiking kit. Then I added a flash with the 430EX and then with the prospect of a sports job I upgraded cameras to a 30D and picked up a new mid-range zoom, the Sigma 17-70.
So that held off my addicitons for a while untill I discovered off camera lighting and of course now needed a lighting kit to go with my camera kit! So flashes, light stands, radio triggers, umbrellas and a bunch of home made stuff and I had a pretty good set-up for doing still life and portraits and all sorts of things, the one day I was doing some still life photos and my 50mm macro died! So I jumped online and found out I could get a 100mm macro from the US cheaper than in Australia, so out came the credit card . . . again! In the mean time the 17-70 proved to be very good for still life close-ups!
Further upgrades have slowed a little, I was not particuarly happy with the focusing of 17-70 for more distant subjects so I went and got a tamron 17-50 with has been very nice though I still have some doubts about it's focusing. Then when I started to get some wedding work I got myself a Canon 50D. The main thing that I wanted over the 40D was the lens micro adjustment for a couple of my lenses however it didn't prove very useful as they were backfocusing at one end of the zoom range and front focusing at the other. So I'm not entirely sure it was worth it, image quality is said to be not much different to the 40D with similar noise levels and 15MP chews through the memory, but time will tell and and the autofocus live view has been useful a couple of time.
So yeah, I guess that is my camera journey to date. Did I make some mistakes, well probably, there are some things I'd probably change a little but hopefully my experience is useful in your own decision making. I'm looking at upgrading some lenses and pondering full frame so the journey isn't over yet . . .
If you are using a Nikon camera with PC port I believe you can do this without the optical slave and connect either the flash or a radio trigger directly to your cameras PC port.
Ok now to put it together . . .

Then the manual flash can be connected by a number of different methods, either directly to the slave, with a PC cord or a radio trigger can fill this gap, i.e. the transmitter can be attached to the optical slave and the receiver to the flash.And . . . Ta Daaaa, you have a system that should give you HSS using a camera with a mechanical or focal plane shutter. You still need to remember that we are now using the flash as a continuous light source rather than an instantaneous flash, therefore shutter speed will now affect the exposure of the flash. Because the "continuous light source is not on for long and varies in power you will also see some light drop off across the frame, particular as the shutter speed gets higher. This also means that you will not get the large relative "gain" in power you can when you have a camera with an electronic shutter but it is another technique to keep in the back of your mind that might be useful one day.
Well I had the opportunity to shoot an event (the event album) that I thought I'd be able to sell prints from and needed somewhere to sell them. So research ensued, I checked out all the Australian "smug mug" type web sites and found none of the suited, either out of date, too expensive, couldn't get info on them (even after email requests) so I decided to set-up my own shop front.
I just got back from Hullabaloo, an awesome swing dance exchange (big dance event over several days) in Perth where I had a great time dancing up a storm and even managed to snap a few photos.


Basically you are limited by the single focal length and shallow depth of field, particularly for group shots, and a steady hand & still subjects is required but it produces some nice shots. I did a little noise reduction using the photoshop filter and usually left them with a fairly warm colour balance that I think suits the mood a little better.
I haven't yet tried printing any of these shots but I think they will work ok as 6"x4", and, well, that's about it. Just a little case study.
When considering the quality it is worth nothing that even at these settings I was underexposing between 1/2 to 2 stops, the bottom one might have been even more. Now these shots may not be high enough quality for you or just not to your taste, but it shows what is possible and produces some different images that stand out from the crowd.
Thanks to (in order from top to bottom): Robbie, Kat Sherrard, the mask, Corinne Allen & Ben (who are glowing after dancing hard!), and Lexi for looking awesome and letting me post their photos.